Matthew Rhys on Perry Mason’s Triumphant Season 2 Makeover

Just a few adjectives to explain Matthew Rhys’s portrayal of Perry Mason, the second season of which wrapped Monday evening: Unhappy, drained, righteous, and positively irascible—as Assistant DA Hamilton Burger (Justin Kirk) wonders about our bitter antihero within the season premiere, “Does everybody really feel Mason hates them, or simply his mates?” Throw every of those descriptors again at Rhys, although, they usually’ll elicit a realizing giggle. “That’s my wheelhouse!” the Emmy winner says over Zoom. “It’s a state very near my coronary heart, that form of melancholy disappointment. I’m like, that’s how I dwell 24/7. It’s not a stretch to me!” 

The massive shift this 12 months occurred because the HBO drama welcomed some heavy doses of acerbity too. “They did say, ‘In season two, we need to open up that humor in him a bit,’ which involved me barely,” Rhys says with a smirk. “However simply to see the sarcasm that sits so simply on his shoulders—it’s how I dwell my life.”

The second season of Perry Mason, which HBO initially ordered as a restricted sequence, emerged as an unlikely watercooler smash these previous few months, its comfort-TV procedural stylings enhanced by wealthy noir ambiance, nuanced characterizations, and a stacked ensemble of top-shelf character actors. As a followup to 2020’s debut season, which was successful however met with extra combined opinions, season two is sunnier—each actually, within the expansive ’30s Los Angeles places, and in its protagonist’s new outlook. Because the season begins, Mason has a bona fide legislation apply and a case that takes him and companion Della Avenue (Juliet Rylance) by means of the depths of conspiracy and absurdity. 

Rhys’s utter affinity with each side of this character is clear each in his efficiency and in our dialog concerning the shocking success of this encore season. (Warning: Spoilers about Monday’s finale comply with.) “Matthew is so extremely humorous—he’s received that within him,” says Michael Begler, co-showrunner of season two with Jack Amiel (The Knick). “And I really feel {that a} present must breathe—for those who’re simply pounding it into anyone on a regular basis, it’s exhausting.”

The comparatively upbeat season noticed Perry, Della, and mates untangle the mysterious homicide of Brooks McCutcheon (Tommy Dewey), an oil scion with a really unhealthy rap round city. Our heroes wind up defending two Mexican American brothers, Rafael and Mateo Gallardo (Fabrizio Guido and Peter Mendoza), who’d irrefutably pulled the set off on Brooks—the query is why, and who put them as much as it. A series of crimson herrings and conflicting motivations result in baroness Camilla Nygaard (Hope Davis), a enterprise rival, as the massive unhealthy. “One of many earliest images that I noticed whereas doing the analysis was of a pair on Venice Seaside with this forest of oil derricks within the background,” says Begler. “I used to be simply so taken by that—like, holy shit, that is an oil city. Think about the ability and the wealth that’s behind that.” 

Perry’s shady ways are profitable sufficient to get Camilla caught and one Gallardo brother off—and, uh, unlawful sufficient to get himself thrown in jail for a bit, marking our last shot of the season. The temper is surprisingly, appropriately content material; perhaps even a bit of comedian. “To get to that last picture of a man who’s now in all probability at his finest as a lawyer, and as a human being, having finished proper by his purchasers, sitting in a jail cell—we simply love that irony,” says govt producer Susan Downey. “It feels so completely Perry Mason.” 

This feels just like the season that the present found out precisely what which means. The preliminary run of episodes, developed by creators Rolin Jones and Ron Fitzgerald (neither returned for season two), properly set the case-a-season, noir-drenched template for Perry Mason, tailored from the character initially created by creator Erle Stanley Gardner (and popularized within the 1957 sequence). But it additionally constructed towards Perry’s institution from PI to lawyer, taking part in like a form of status origin story. Right here in season two, we received to see that authorized operation in full impact, from the person himself main the brand new agency to the colourful worlds of these with whom he joins forces. Della begins a passionate affair with screenwriter Anita St. Pierre (Jen Tullock), whereas ex-cop Paul Drake (Chris Chalk) proves himself anew as he works alongside Perry for justice. 

However after all, Rhys’s commanding, tragicomic flip stays the grounding drive right here. No one does downbeat crime-solver higher. He rides his bike and endlessly chases down leads. He will get into essentially the most gloriously pathetic fistfight with Shea Whigham’s frenemy, Pete. “Shea was smoking so exhausting,” Rhys recollects of that season spotlight. “I used to be like, ‘Dude, quit smoking these cigarettes.’ It was, like, 97 levels. It was so sizzling. We’re smoking and we’re combating. On the finish, we each wished to puke.” 

Into the wee hours of the evening, Perry slumps round a complete lot too. “I labored on my physique language to look form of crushed,” Rhys says. “I wished his shoulders to be slumped a bit of extra, his heels dragged a bit of extra. Simply an overarching sense of defeated. That bodily power solely modifications actually when the momentum gathers.” It’s no surprise, then, that Perry finds true peace solely in that jail cell, after a job well-done-enough. Or why Rhys’s work builds to an unexpectedly rousing place within the finale’s closing arguments, as Perry orates the season’s themes regarding what justice really seems to be like, between the “haves and the have-nots,” as Begler places it. “He has a really fundamental however intense conscience,” says Rhys, who’s additionally an govt producer. “There’s an unsentimentality to him.” 

Rhys reveals that the closing-arguments courtroom scene went by means of “many, many various variations.” He and the producers would watch Paul Newman in The Verdict, which Rhys calls “the most effective model of Mason, proper there.” The actor stored pushing for one thing a bit of smaller, subtler. “It was often me going, ‘No, much less, much less. He can’t ship some form of dramatic quantity on the finish,’” Rhys says. “It must be true to who he’s from episode considered one of season one. It was quite a lot of holding again.” 

That steadiness—of honoring how Perry Mason started whereas pushing it in its second season—haunted Begler as he and Amiel received to taking on showrunning duties. “It was very intimidating,” he says. “It’s an plane service—there’s a lot behind it.” The manufacturing is deceptively huge. Rhys remembers coming onto the present shortly after wrapping The People, the beloved FX drama on which he’d usually movie an episode inside seven days. He discovered {that a} Perry Mason episode takes three to 4 occasions that. “I used to be like, What the fuck are we ready for? What the fuck is happening?” Rhys says with amusing. “I used to be like, I’d have shot two, three scenes by now. I needed to gradual my very own mind down and form of go, Okay, that is the tempo. It’s a giant present.’”

Certainly, it’s an endeavor. You see that within the exacting cinematography and lighting, which not solely recreates a interval and a world, however an period of filmmaking; in Terence Blanchard’s gorgeously transporting rating; within the exceptional firm of actors, from Hope Davis’s imposing grandeur to Paul Raci’s ruthless tycoon; and within the vary of story strains, which boldly discover racial and sexual tensions as a core a part of the present’s tapestry of how intractable techniques maintain sure folks down. The romance between Della and Anita marked a candy, attractive spotlight for viewers. “We received it in casting,” says Downey. “The minute we noticed them collectively, we simply knew it was excellent.”

Will the renewed phrase of mouth be sufficient to safe a 3rd season for the HBO drama? Whereas there’s some spilling on what would come subsequent—don’t depend out a Camilla return, however count on a brand new case to kickstart a brand new season and Perry to have completed out his transient sentence—Begler has some concepts to additional construct out the Perry Mason LA lore. “There are such a lot of pockets of this metropolis that haven’t been explored and go in opposition to expectation,” he says. And one senses, speaking to Rhys, a minimum of, that the sensation is that they’re simply hitting their stride. Or perhaps that he’s simply having an excessive amount of enjoyable to cease. “The bike was enjoyable. The horses have been enjoyable. Preventing Shea, swimming within the ocean, being on boats—it was quite a lot of enjoyable. Like a Boys’ Personal journey for six months.” All because of Perry Mason. Who knew?


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